![]() ![]() The method in use is a close reading of the poetical work of Herbert in search of those poems that help crystallise his religious conception, which will then be read in light of the theoretical work of Kierkegaard to reveal certain existential aspects of The Temple. ![]() in other terms) in Kierkegaard’s two publications, Fear and Trembling and Repetition (both 1843). These concepts were detailed overtly or implicitly (i.e. The goal of this paper is to investigate the underlying themes from this collection in terms of Søren Kierkegaard’s concepts of suspension, spiritual doubt, the leap of faith, and repetition. ![]() The current work is concerned with the analysis of George Herbert’s (1593-1633) best-known opus magnum, his collection of poems, The Temple. ![]()
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